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Through the character of Victor Frankenstein, Shelley investigates the destructive forces of homosexuality as the product of his passion wanders the earth in search of a ‘normal’ life it can never have
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However this is drastically confounded by the egotism of Victor Frankenstein who seeks to take on the vitally female role of the creator
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Bride of Frankenstein is a dark comedy, filled with graveyard humor and an obvious gay subtext
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Elizabeth is constructed by Shelley as an extremely positive character, whose ‘saintly soul’ shines ‘like a shrine dedicated lamp’ in the Frankenstein’s ‘happy home’
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Praetorius is a screaming, effeminate queen who cringes at the sight of women and stares longingly at his male pupil
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PDF | On Jan 1, , Siyu Yang published Homophobia and the Queered Gothic in Frankenstein | Find, read and cite all the research you need on ResearchGate
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Frankenstein itself is entwined with queer history, too; James Whale, the first director to bring Frankenstein to the silver screen (as wildly different from the book as his adaptation was), was openly gay, and recent evidence suggests that Mary Shelley herself may have been bisexual
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Frankenstein’s uncontrollable desire incorporates a sense of peril similar to the desire for another man—both are forbidden, and both are followed by the swift and terrible retribution believed to be deserved by homosexuals in Shelley’s time
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